Salvation South

A tale about Florida oysters, a remembrance of grandma’s apple-spice jam and a poem about a love of birds (and love itself).

His grandmother made the best apple-spice jam this side of heaven. Keeping her tradition alive is about more than preserving food. It preserves memories, too.

The South lost one of its greatest artists this week, and Salvation South brings you two remembrances of the truth-telling singer from Butcher Holler, Kentucky.

During a youth beset by polio and grinding poverty, Hattie Duncan learned a way of creativity that gave her a generous outlook on life and helped her become a beloved Southern folk artist.

For the last 68 years, the Alabama National Fair in Montgomery has drawn thousands of people for 10 days of family fun — with roller coasters, prize livestock and maybe, if they’re lucky, some saltwater taffy.

After Loretta Lynn died on Tuesday, the revered Nashville singer-songwriter Todd Snider wrote down his memories of his work with — and friendship with — the late great Southern icon.

With the publication of his seventh novel, “Lark Ascending,” the Appalachian writer tells a riveting tale set in a frightening future, but he’s also hard at work on reckoning with — and reconciling — the conflicting facts of his mountain home.

Released three years after his death, “Things Happen That Way” is the final album from the late, great master of New Orleans funk, Dr. John.

On the other side of the levee from the city, there is a small community called the batture that few people ever see. Macon Fry has lived there for 30 years.

This week’s Salvation South covers not only the great Appalachian writer, but also the over-the-levee community of New Orleans and that city’s late great king of funk music, Dr. John.

North Carolina writer Kathleen Purvis remembers the time another girl in her class stole her writing and passed it off as her own. The incident hurt her — but it also taught her lessons that shaped the rest of her life.

The traditional musician Jake Blount plumbs the depths of African American string band music and comes up with a thoroughly modern style that’s like nothing you’ve ever heard.