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Stories

The image shows a dramatic artistic photograph of a wooden spoon engulfed in orange and red flames against a black background, with fire trailing from both the bowl and handle of the spoon. The composition symbolically represents the intersection of chronic illness spoon theory, trauma, and Appalachian wooden spoons through its powerful visualization of a kitchen implement transformed into something both destructive and beautiful.

Spoon Theory

Morgan DePue on how good memories, childhood trauma, and chronic pain can all rest in the hollow of that wooden spoon you hold in your hand.

Some Things, You Will Never Know

What we want to believe about our ancestors and what we believed as children pose questions that may never have answers.

Silent but Certain Agreement

A North Carolina poet fills her verses with memories and observations that flow from the present day back into the years passed and gone.

Pour My Breath Into You

In West Virginia, the state with the nation’s highest rate of death by overdose, faith communities answer urgent callings from any and all.

The Widow, the House, the Porch and the Stars

A Kentucky poet explores who we are, the places we inhabit and the skies that shimmer above us.

The Saw and the Sawdust

He restored an old mountain cabin, wrote a sonnet to an old man and fell asleep, missing the sounds of the whippoorwill.

Tennessee Poems

She moved from the mountains of Germany’s Black Forest to the mountains of Tennessee. Her welcome there felt like divine intervention.

How to Pluck the Hell out of a Heart

No mother tongue is as rich as the Southern one. Our words are musical, and poetry expresses them with soul-shaking force. Annie Woodford celebrates the songs we say.

Seasons

When the bulldozers topple the trees and the owls and the field mice and the feral cats are gone, who will remember?

Change of Heart

Three verses that take us from the gorges of western North Carolina to that mess on the front porch.

The Songs We Say

Salvation South kicks off a month-long celebration of Southern poetry with a soaring essay from Annie Woodford.

The Hero Who Wanted to Die

Daniel Wallace’s brother-in-law was his hero. But in the journals he left behind, Wallace discovered the darkness that claimed his idol’s life.

The Coolest Guy in the World

Daniel Wallace interprets two pages from the revealing, long-lost journals of his brother-in-law, William Nealy.