We Are All From Where We Are
Louisville poet Emma Aprile, winner of our inaugural Salvation South New Poets Prize, discusses her creative process, the landscapes that shape her work, and what it means to write from and for the South.
Louisville poet Emma Aprile, winner of our inaugural Salvation South New Poets Prize, discusses her creative process, the landscapes that shape her work, and what it means to write from and for the South.
A minister on why he takes his cues from the late Mississippi Rev. Will D. Campbell, who believed all of us were bastards, but that God loved us anyway.
After a lifetime of fishing in—and studying—the rivers of our Blue Ridge Mountains, an ecologist now understands, and grieves, how climate change has altered them forever.
This weekend’s edition brings writing about a wondrous Southerner and natural Southern wonders.
Robert Lee Coleman, at 18, led a crew of teenage musicians in Macon, Georgia, who played so hot even James Brown came to town recruiting. At 78, he plays even hotter, and he vows to “play until I die.”
Some of us mourn quietly. Some of us howl like wounded animals.
Meet Robert Lee Coleman, a son of Macon, Georgia, and a pioneer of Southern soul and funk music, who vows never to put down his guitar.
How an Appalachian disowned by his family reckons with loss and belonging
Too many Southern children lose their homes because their parents can’t abide their sexual orientation or gender. This week, we get an inside look.
Two poems steeped in prismatic New Orleans imagery, creeping up from memories of a complex past.
An excerpt from “No Son of Mine,” author Jonathan Corcoran’s memoir of growing up gay—and disowned—in Appalachia
Love is one form of salvation. Louisville’s unsung master of the short narrative poem guides us through a scene showing just that.