Spoon Theory
Morgan DePue on how good memories, childhood trauma, and chronic pain can all rest in the hollow of that wooden spoon you hold in your hand.
Morgan DePue on how good memories, childhood trauma, and chronic pain can all rest in the hollow of that wooden spoon you hold in your hand.
Too many Southern children lose their homes because their parents can’t abide their sexual orientation or gender. This week, we get an inside look.
Two poems steeped in prismatic New Orleans imagery, creeping up from memories of a complex past.
An excerpt from “No Son of Mine,” author Jonathan Corcoran’s memoir of growing up gay—and disowned—in Appalachia
Love is one form of salvation. Louisville’s unsung master of the short narrative poem guides us through a scene showing just that.
That’s not a statement about the current weather, because it’s gray where we are. It’s about a weekend of love (and, naturally, football).
What he learned as a child in Mississippi left him unable to come out to his family—or even to himself—until he was thirty-one years old.
Old ways of preserving food run deep in the culture of Appalachia. It turns out that preserving life requires the same principles.
Is renewing an old friendship always the right thing to do? Maybe not.
A writer remembers pickling beans with her grandmother, “the Appalachian Gothic version of Yogi Berra.”
“Hold tight to history,” Appalachian poet E.J. Wade writes, so we might be awakened.
The Great Recession forced more than a million Americans into nomad land, traveling in search of seasonal work. Bill Scott chose that life forty years ago.
Long ago, a pair of larger-than-life families—two couples with seven kids between them—rang in the new year together every year. Some bonds never break.