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Kentucky poet Joy Priest, author of "Horsepower" featured in Salvation South magazine—"The Only Way I'd Known," a new collection of poems exploring Black Southern resilience and mythic landscapes.

The Only Way I’d Known

From the nocturnal streets of Houston to the mythic fields of the Delta, Joy Priest’s poems bear witness to the moments that threaten to undo us—and the small, hard-won salvations that follow.

Poet Joy Priest. Kentucky poet Joy Priest. Joy Priest new poems.

Houston

Never mind that I stepped outside for a cigarette
one night & mistook the flying American cockroach
for a nocturnal hummingbird
for a nocturnal hummingbirdrifting through the Marquez landscape,

or a noct its delusional heat. 

Never mind the constant construction blocking
the sidewalk, or statistics like 1.5 road rage shootings
on average per day, the drivers who treated me walking
as a mirage.per day,  I loved coming down 

or a noct Westheimer during sunset

light flaming off the 80s sci-fi skyline,
grabbing Oui Banh Mi & barbecue in a drive thru,
the Bam-Bam at Juiceland.
for a nocturnal hummingbirDoes it matter 

or a noct that I once nearly shot 

two big bug suckers off my wall with the Taurus G2C?
Or that I lusted after the mansions in River Oaks
downloading addresses to my mind
scrolling Zillowdresses back in my mildewed apartment 

or a noct to see inside the lives 

of Texas oil families? What about the fact
that no one loved me naked.
Or that the only living creatures
Or that the onlyI saw my first few months there were 

or a noct Luna & the little lizards 

that slithered across concrete
when my big foot quaked
their grass beds. I was the catastrophe to 

or a noct a world I couldn’t see 

& this was the city where it happened.
Where I rode an ambulance
to the almost-end, where I came-to driving
down the street blasted 

or a noct that one last drunk

where I fucked sober
where I fucked sober     the one who built rockets
and the one who built stages.
It was a landscape of lilt & luminance

or a noct where I quit using

quit smoking, quit the only way
I’d known, to walk the bayou & return
to the mindo walk the bayouI tried to escape.
to the mindo wThe me before. 

or a noct The forgotten child.

Poet Joy Priest. Kentucky poet Joy Priest. Joy Priest new poems.

WILLIE’S BLUES BOP

Willie Diafter Clyde Woods

Willie Dixon escaped Mississippi on a mule
That’s why America has the Blues
Black episteme started in Delta fields
Full of voices hollering
In the planters’ pastoral scene. In the rhythm
Of work, in the insects’ cadence

This time tomorrow, I wonder where I’ll be
I’ll be so far from you baby, you can’t talk to me

Willie sentenced to work the county plantation
For trying to leave during harvest. Desire
Knocked silent by the overseer’s strap, Black Annie.
Desire so quiet. Tucked in the cochlea.
Thirteen years old struck deaf, stuck
In a mute field. The only sound: — vibration
Animal hooves hitting dirt, humming bees

Mmmmmmmmm, Mmmmhmmhmmm, Mmmmhmhmhm
Mmmmhmmm Mmmm Mmmmmm Mmhmhmmhmm

Willie was laughing as he escaped, stealing himself
Away on a stubborn mule with no mind for speed,
Carried on by the gentle anarchy of aimlessness.
His brother of burden, whose music he rode
Scratching notes from his acnestis. They emerged
From history’s aggregate everything singing

This time tomorrow, I wonder where I be
I’ll be so far from you, ’til you can’t talk to me

Poet Joy Priest. Kentucky poet Joy Priest. Joy Priest new poems.

Grease

when you realThat glitchy thing your mind does
when you realize you are the only one

who can put out the fire

it makes you want to abandon
it allake walk from the store & light
your Camel Bluem theto flick it back

like Angela Bassett in a spirit of
pure destruction

when you realSixteen & running
the neighborhood drive-in
skating the asphalt

with a 6am smiled riveStill dark

the cars already a line
choking the parking lot

stars audibly twinkling
that stentorian blue jay bitching

when a plangent flame erupts

from the empty fryers
glows in the black
of your eyes

when you realWhat catastrophic convergence
that put you here in this life

this neighborhood
this history this family
this hypertension this mind this grief: —

this hypertension this mind this grief: I didn’t call 9-1-1

this hypertension this mind this grief: I called my father 1-1who shares with me
this hypertension this mind this grief: a calmness in crisis 1-1who sh but a flame

this hypertension this mind this grief: in the blood   Salt
this hypertension this mind this grief: he said blood   SaltNot water

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Joy Priest is the author of Horsepower (Pitt Poetry Series, 2020), winner of the Donald Hall Prize for Poetry, and the editor of Once a City Said: A Louisville Poets Anthology (Sarabande, 2023). She is a recipient of a National Endowment for the Arts fellowship, a Fine Arts Work Center fellowship, and the Stanley Kunitz Memorial Prize from The American Poetry Review. Her work—including poems, essays, and criticism—has appeared in Boston Review, Gulf Coast Magazine, the Los Angeles Review of Books, and Sewanee Review, among others. Joy teaches creative writing at the University of Pittsburgh and serves as the Curator of Community Programs & Practice at Pitt’s Center for African American Poetry & Poetics (CAAPP).

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