Jimmy Buffett sails away to his own particular harbor.

An early excerpt from the upcoming book “Prine on Prine”—one of John Prine’s final interviews, with the man who produced his final album.

The new Blind Boys of Alabama album marks the final song from Jimmy Carter, who was there eight decades ago, when it all began.

Nat Myers’s sound is reminiscent of Charley Patton and Memphis Minnie, but his perspective as a first-generation Korean-American raised in Kentucky brings a fresh twist to the fingerstyle blues tradition.

He’s almost 90, and he teaches music in a little school in Georgia. He’s also an unsung giant of American folk music who played with Woody Guthrie and Pete Seeger. Meet Frank Hamilton.

An intimate conversation about music, faith, and our nation with Iris DeMent, one of the greatest country singers and songwriters of all time.

Nashville is famous for its twang, but Wu Fei takes that sound to a new realm. She picks with banjo players. But her instrument has five times as many strings.

The legend from Nutbush, Tennessee, always knew what love had to do with it.

Arkansas-born Shara Nova is an alt-pop icon, acclaimed operatic singer, and prolific composer. She defies category. In a biz that wants women to fit in boxes, that’s a problem.

The Smithsonian’s “Biography of a Phantom” answers countless questions — and raises countless more — about Robert Johnson, the Mississippi bluesman who legendarily sold his soul to the devil.

Jim Crow dumped its worst on Lonnie Holley. But his globally recognized music and art prove how beautifully he survived the belly of that beast. Just don’t call him an “outsider.”

The Word of South Festival, a unique jubilee of the best in Southern writing and music, returns to Tallahassee in April. Once again, Salvation South will host a stage that embodies our cultural mission.